Primavera Sound 2015: Highlights from May 30th

The third and final part of our coverage of Barcelona's Primavera Sound 2015 festival - check out below all our favorite performances from the last full day of the festival which took place at Parc del Fòrum on May 30th, including The Strokes, tUnE-yArDs, DIIV and many more:

tUnE-yArDs 

I knew as soon as I read the festival's timetable that I had some tough choices to make, especially on Saturday. The Strokes were the headliners of the day at Primavera stage and given that I had never seen them live before, I had to fit at least part of their set in my schedule. At the same time, a quarter to midnight, at the ATP stage on the opposite side of Parc del Fòrum, Babes In Toyland, one of my favorite '90s bands, were making their Spanish comeback after two decades, while tUnE-yArDs, one of my current faves, would be on the Pitchfork stage at half-past midnight.

To cut a long story short, I started with The Strokes, missed completely Babes In Toyland's set (and had to make do with watching it on YouTube later) but, thankfully, I got to see the majority of a magnificent performance by tUnE-yArDs which turned out to be amongst the best of the festival. Merrill Garbus has created a truly unique, utterly euphoric sound and is doing a great job in recreating it live by mixing electronic sounds with a variety of percussive instruments, Nate Brenner's bass guitar, her trademark ukulele and, of course, her astonishing vocals given an extra boost from her back-up singers. Respect!

Tune-Yards, live @ Primavera Sound, May 30th, 2015

DIIV

It's been quite some time since "Oshin", the very promising debut by DIIV, but judging by their excellent, highly energetic performance on Primavera's Pitchfork stage, the band from New York is about to make a dynamic comeback. Their set included several new tracks from their upcoming sophomore album (confusingly titled "Is The Is Are"), which managed to excite the crowd despite the fact that for most of us this was the very first time we were listening to them, and, of course, some of "Oshin"s highlights, including the track everybody wanted to hear live, the great "Doused":

DIIV - Doused (live @ Primavera Sound, May 30th, 2015)

The Strokes

They walked on Primavera stage fashionably late (maybe they were waiting for the end of the Spanish football cup final?), they kicked off with "Machu Picchu" followed by "Someday", an indication they would split their set between their new songs (that, let's face it, is not what we came here to listen) and their classic hits, and proceeded without much between song banter to give an efficient performance that would get their numerous fans singing every time they decided to revisit their past glories. I was glad I was able to see them even at this late stage of their illustrious career, even in the overcrowded conditions of a big festival, but after half an hour I knew I had to make my way to one of the other stages.

Here's "All The Time", the track they were playing as I was rushing to see tUnE-yArDs:

The Strokes - All The Time (live @ Primavera Sound, May 30th, 2015)

Shellac

I will not say much about Shellac's late night performance in one of the smaller stages of the festival except state the fact that the approximately half an hour that I've witnessed was absolutely terrific. We'll have more about them soon, as a few days later we had the pleasure of attending their sold out show at An Club in Athens (the kick off event of Plisskën Festival). Also, it seems that Steve Albini watched Sleaford Mods earlier in the day on the same stage (we didn't, but made up for it next week in Plisskën) and was sufficiently impressed to declare them the best band in history during his band's set. 

HEALTH

HEALTH had gone MIA for quite some time now, but they are about to make their comeback with new album "Death Magic" very soon and, based on their impressive performance on the Pitchfork stage, you can expect an explosive mix of industrial dance beats and gothic, noisy guitars. Sounds promising - here's their cover of Pictureplane's "Goth Star":

HEALTH - Goth Star (live @ Primavera Sound, May 30th, 2015)

Hookworms

It was really late when Hookworms took to the stage (nearly 3 in the morning) but their powerful set helped us to somehow muster up the strength to stay on our feet for another 40 minutes. Great energy from a band that has the potential to produce truly exciting rock music in the years ahead.

Other notable performances we got to experience on Primavera Sound's third full day included Einstürzende Neubauten's unique, industrial experimentation, Kevin Morby's charming folk-rock, Foxygen's burlesque theatrics (not sure about the music, but their stage show was certainly something else), Younghusband's melodic pop and Fucked Up's ambitious (and entertaining) hardcore.

Einstürzende Neubauten

Kevin Morby

Foxygen

Younghusband

Fucked Up

Earlier in the day, before we make our way to Parc del Fòrum, we had the opportunity to see once again in action the wonderful Ex  Hex at Parc De La Ciutadella - a great way to start your day, without a doubt:

Ex  Hex, live @ Parc De La Ciutadella

To close our Primavera Sound 2015 saga, let's hear some more live music from the festival:

Ex Hex - New Kid (live @ Parc De La Ciutadella, May 30th, 2015)

Kevin Morby - All of My Life (live @ Primavera Sound, May 30th, 2015)

Fucked Up - I Hate Summer (live @ Primavera Sound, May 30th, 2015)

Check out here Part 1 and Part 2 of our Primavera Sound 2015 coverage.

Coming up, all the action from Plisskën Festival...

Listening Habits 08-09.2009

We’ve had quite a few great releases in the two months since the last “Listening Habits” post and at least half of them may well find their way in our end of the year Top 50 list. We have already praised the excellent "Get Color", Health’s second album (or third if you also count last year’s remix job), and especially the stellar first single "Die Slow". Dream-pop vocal melodies and layers of My Bloody Valentine-style guitar feedback clash with menacing industrial beats to create what I could only describe as noise-death-disco. Not a catchy name for a musical style, I know, but I think that Health along with a few other acts like their pals Crystal Castles are creatively recycling '80s noise rock, industrial and electro into a brand new, highly volatile hybrid.

A different but equally refreshing musical mix seems to be brewing in London lately. The Big Pink, this year’s winners of NME’s Philip Hall Radar Award for best new act, combine cutting edge electronic dance sounds with dark pop melodies and menacing late '80s-early '90s guitar noise of The Jesus And Mary Chain-A.R. Kane variety in order to tell us "A Brief History Of Love" - one of the most exciting debuts of the year along with Telepathe’s "Dance Mother". Among the many highlights of the record are the singles "Too Young to Love", "Velvet" and "Dominos", as well as "Crystal Visions" and "Frisk". Interesting facts about The Big Pink: Their name comes from the title of The Band’s first album "Music from Big Pink" while Milo Cordell (one half of the band that also includes Robbie Furze) is the boss of Merok Records, responsible for some great releases by the likes of Salem, Telepathe and Crystal Castles (as you can guess by now, I really have a soft spot for these last two groups!).

And if you are in the mood for even more dark songs about love, you can find them in abundance in the fine debut of another very promising and very young London band, The XX. Initially they impressed us with their highly addictive cover of Womack and Womack’s '80s hit "Teardrops". This song is not included in their album but its melancholic air and seamless blending of soul, electro pop and icy '80s guitar style is all over "XX", making it the perfect choice for late night listening. As Romy and Oliver exchange verses in hushed tones, you often get the feeling of eavesdropping in the intimate conversations of a couple falling in or out of love, while the music’s beat follows that of the lovers’ hearts. "VCR", "Crystalised", "Basic space" and "Infinity" are the standout tracks of the record and along with "Teardrops" give you five very good reasons to make your acquaintance with The XX.

The third London-based act to have its debut album among our top picks this month is Florence + The Machine. "Lungs" is a big sounding, grand gesturing, passionate pop record with bright tunes like "Rabbit Heart (Raise It Up)" or "Dog Days Are Over" which showcase the great vocal talent of Florence Welch. The album was stopped only by the ghost of Michael Jackson from claiming the top of the UK album chart and in a year when the divorce of commercial music from quality seems to be final, this fact alone is enough to justify the buzz surrounding Florence and her band.

Another act that managed to break the embargo against decent music in the pop charts is Arctic Monkeys. For the recording of "Humbug", their third full-length, the band visited Josh Homme’s studio in the California desert looking for a change of scenery and a different sound. Although you cannot really say that they’ve gone stoner rock all of a sudden, the new album is certainly slower and heavier than its predecessors, making also room for the mellower orchestral pop influences evident in Alex Turner’s work with The Last Shadow Puppets. "Humbug" may not be the instant classic that their debut was, but it does show a band willing to take chances, experiment and evolve, the traits that distinguish all great artists.

And while we’re on the subject of brave artistic experimentation, here’s one of the most adventurous records you’re going to hear this year: White Denim’s "Fits". The Austin, Texas group seamlessly incorporates all kinds of influences in its latest work, going from acid rock to garage punk and from freak folk to free jazz in the drop of a hat. The flow of the record, however, remains flawless, offering us a thrilling joyride in rock’s less travelled back roads, the paths carved by groundbreaking innovators like Meat Puppets or The Minutemen.

Yo La Tengo can certainly be counted among the few truly originals of the last 20-something years, a band that is not afraid to mix things up and kick your ass in the process. In "Popular Songs" we can hear the more "easy-listening" side of the band for the album's first 9 tracks while for the final 3 they get lost in extended jams without losing the plot too much. "Here To Fall", "Avalon Or Someone Very Similar", "Nothing To Hide", "Periodically Double Or Triple" and "If It’s True" are the latest gems in the continuing, fascinating story of Yo La Tengo.

Our Top-10 also includes the best record that will not get an official release this year (another sign that record companies have completely and utterly lost the plot), the star-studded "Dark Night Of The Soul", product of the collaboration between the omnipresent Danger Mouse, Sparklehorse, David Lynch and a cast of, well, dozens. We've also listened and enjoyed "Wilco (the album)", the finest record in recent years by Wilco (the band) and "Spinnerette" by Spinnerette, the next step in the tumultuous career of Brody Dale in collaboration with Alain Johannes of Queens Of The Stone Age fame. Not as fierce as her work with The Distillers but with enough fine tracks ("Ghetto Love", "Baptized By Fire", "Distorting A Code", "Rebellious Palpitations") to keep us satisfied 'till we meet again (I don't know where, I don't know when)...

Top 15 Albums

1. A Brief History Of Love - THE BIG PINK
2. Get Color - HEALTH
3. Fits - WHITE DENIM
4. Popular Songs - YO LA TENGO
5. Humbug - ARCTIC MONKEYS
6. XX - THE XX
7. Dark Night Of The Soul - DANGER MOUSE AND SPARKLEHORSE
8. Lungs - FLORENCE + THE MACHINE
9. Spinnerette - SPINNERETTE
10. Wilco (The Album) - WILCO
11. Julian Plenti Is… Skyscraper - JULIAN PLENTI
12. Varshons - THE LEMONHEADS
13. Travels With Myself And Another - FUTURE OF THE LEFT
14. No One's First And You're Next - MODEST MOUSE
15. JJ No2 - JJ


Top 20 Tracks

1. Die Slow - HEALTH
2. Dominoes - THE BIG PINK
3. Little Girl (ft. Julian Casablancas) - DANGER MOUSE AND SPARKLEHORSE
4. Teardrops - THE XX
5. Ecstasy - JJ
6. Pinball (ft. Telepathe) - SIMIAN MOBILE DISCO
7. Rabbit Heart (Raise it Up) - FLORENCE + THE MACHINE
8. These Are My Twisted Words - RADIOHEAD
9. The Whale Song- MODEST MOUSE
10. Rats - THE BLACK HEART PROCESSION
11. Crying Lightning - ARCTIC MONKEYS
12. Baptized By Fire - SPINNERETTE
13. Games for Days - JULIAN PLENTI
14. Periodically Double Or Triple - YO LA TENGO
15. Bull Black Nova - WILCO
16. I Start To Run - WHITE DENIM
17. You Need Satan More Than He Needs You - FUTURE OF THE LEFT
18. The Fixer - PEARL JAM
19. Dirty Robot - THE LEMONHEADS
20. Le Flying Saucer Hat - CHAIRLIFT

Killer Tracks: Die Slow by HEALTH

HEALTH, from Los Angeles, is one of the most blogged about bands at the moment and rightly so, since their recently released second album "Get Color" is one of the most exciting records of the year so far. The cataclysmic noise of their 2007 self-titled debut is now kept under control, creating the building block of their well-structured industrial-electro assault. "Die Slow", the first single of the album, is perhaps the best track in the band's brief history, a massive noise wave that rises driven by hurricane-force gusts of electro beats and My Bloody Valentine siren vocals. Let the death-disco dance start here...

HEALTH - Die Slow